The Best of British 2013 is our unofficial countdown of the top ten UK a cappella tracks of the past year. Over the next few weeks leading up to the Christmas period, we will be counting down, from ten to one, what we believe have been the best tracks on show this year, ranging from awesome arrangements, sensational solos, marvellous mash-ups, punny parodies and everything in between.
In order to determine which tracks were to be considered for this accolade, we decided to restrict our selections to songs that fell under ONE or BOTH of the following categories:
a) A song that made its live OR competitive debut since our last countdown commenced (Dec 2012 – Nov 2013)
b) A song that was featured on an album released since our last countdown commenced (Dec 2012 – Nov 2013)
c) No tracks considered for last year’s countdown are eligible this year.
For example, although The Other Guys‘ Christmas was released in 2012, last year’s countdown started before the release of the album, so all the tracks on the album were eligible. On the flip side, although The Oxford Alternotives wowed with their rendition of Regina Spektor’s Samson at this year’s VF-UK, because it was released in album form in 2012, it was considered last year and therefore was ineligible this year.
We made a list of all the eligible songs from all the eligible groups, and then picked the top three tracks from each group, where possible. We then narrowed this shortlist down to 25, before picking our 10 favourite tracks. Opinions were divided, scores were combined, and in the end there was only one winner. But who will it be?
The countdown continues:
10. Semi-Toned – Knights of Cydonia
9. The Oxford Belles – This Is Titanium
8. The Alleycats – Dancing On My Own
7. The Oxford Alternotives – Lovely Day
6. Choral Stimulation – Ode To Glasgow
5. All the King’s Men – Higher Love
4. The Other Guys – Christmas Gets Worse Every Year
3. The Sons of Pitches – Wonderwall
In at number 3 is one of the tracks from The Sons of Pitches‘ well received VF-UK set from 2013 and arguably one of the numbers which took them to the ICCAs in New York last April, their cover of Oasis’ Wonderwall. I’ve already raved about their album, Not Too Shabby, a masterpiece from the back end of last year, and so it’s no surprise that the group feature highly on our list.
Something the group prides itself on is their ability to make a song their own. Wonderwall is far from a straight cover of the Oasis original; in fact, the song was inspired by a swing cover by Paul Anka, and was written and arranged over one late night by the group’s vocal percussionist and now Liquid 5th employee Jack Blume. “The song immediately appealed to Jack’s sense of humour,” says Joe Novelli. “The whole concept seemed so funny and had so much performance potential for The Sons. He went home and transcribed and arranged right through the night, turned those high horn riffs into the ‘boyband’ falsetto BVs that seem to get every audience laughing, and sent us all a message saying ‘Ok, it’s 3am, but I’ve finally finished. I may be tired, but I’m pretty sure it’s funny!'”
Despite conforming to the group’s tendency to take songs apart and put them together again in their own unique way, the style of the song itself is very unusual for the boys from Birmingham, and indeed, the rest of the group were initially unsure of Blume’s arrangement. “We tend to cover a lot more chart stuff these days, throwing in dubstep, drum & bass, and occasional reggae and latin inflections for flavour,” said Novelli, before continuing: “We were all a little sceptical when Jack brought the arrangement to us and we saw he’d written ‘doo’ and ‘ba’ syllables. But as soon as Belham took the solo and the other Joes did their thing, it just kinda worked.”
The song made its début in the group’s Voice Festival set at the Birmingham Regional, where it was received raucously by the crowd. “We had a big audience full of our friends and they were laughing throughout. The YouTubers commenting on our videos may hate the ambient laughter, but we were loving it on the night!” As much as the group love performing the song, one of the other tracks from “Not Too Shabby” is held to high affection by the group. “Lose Yourself is probably our favourite from the past year, partly because it was our first ever ‘group arrangement’, and partly because it was never really notated, so it only really exists in our heads! There’s something special to be said about a song like that.”
As for the success of Wonderwall, Novelli concluded by saying: “Our performance aims to bring the very silly British humour out of all us! I think it just makes people smile in a way that more serious arrangements might not. And isn’t that sort of the whole point of a cappella?”
You can buy Not Too Shabby, which contains this song, right here.