The Best of British 2013 is our unofficial countdown of the top ten UK a cappella tracks of the past year. Over the next few weeks leading up to the Christmas period, we will be counting down, from ten to one, what we believe have been the best tracks on show this year, ranging from awesome arrangements, sensational solos, marvellous mash-ups, punny parodies and everything in between.
In order to determine which tracks were to be considered for this accolade, we decided to restrict our selections to songs that fell under ONE or BOTH of the following categories:
a) A song that made its live OR competitive debut since our last countdown commenced (Dec 2012 – Nov 2013)
b) A song that was featured on an album released since our last countdown commenced (Dec 2012 – Nov 2013)
c) No tracks considered for last year’s countdown are eligible this year.
For example, although The Other Guys‘ Christmas was released in 2012, last year’s countdown started before the release of the album, so all the tracks on the album were eligible. On the flip side, although The Oxford Alternotives wowed with their rendition of Regina Spektor’s Samson at this year’s VF-UK, because it was released in album form in 2012, it was considered last year and therefore was ineligible this year.
We made a list of all the eligible songs from all the eligible groups, and then picked the top three tracks from each group, where possible. We then narrowed this shortlist down to 25, before picking our 10 favourite tracks. Opinions were divided, scores were combined, and in the end there was only one winner. But who will it be?
The countdown continues:
6. Choral Stimulation – Ode To Glasgow
Award: ‘Outstanding Arrangement’ – Voice Festival UK 2013, St Andrews Regional
Staggering drunkenly into sixth place on our countdown is the hilarious, hugely varied and frankly wonderful ‘Ode To Glasgow’ from Glasgow’s only university group, Choral Stimulation. The song was part of the group’s award winning Voice Festival set earlier this year, and indeed went some way to helping the group to their first ever VF-UK Final. However, had the group not débuted the song in a small room at Glasgow University’s Students Union in preparation for the St Andrews Regional, the outcome may have been slightly different. “It didn’t go well,” admits David Ragg, MD of the group and arranger of their entire VF-UK 2013 set. However, some jokes were reworked and a few of the harmonies were tweaked, and the second public performance came on stage under the pressures of VF-UK competition, a performance which, according to Ragg, went “considerably better.”
The origins of the arrangement came about after the group for the first time decided to capitalise on their perception as ‘outsiders’ at the St Andrews Regional. “I had wanted to do a ‘super-medley’ for a long time,” said Ragg, “And we had been throwing about ideas in the group what this could be. We hit on Glasgow as a theme because we have, in the past few years, been the outside contender in St Andrews; we wanted to acknowledge and be proud of this. When I suggested it to a Glaswegian I was sat down and given a list of songs that HAD to be in there. It then evolved from others’ input into an Ode to Glasgow, with an overarching storyline to it that I hope can be seen in the finished thing.” Incorporating music from Love Actually, several Glasgow folk songs, Travis, the infamous ‘There’s been a murder’ line from Taggart, and even a solo for Ragg himself, the song really caught the imagination of the audience, although more so in St Andrews than at the Final in London.
“The final was an entirely different dynamic for the group,” said Ragg, “As well as being our first performance as a Final and outside Scotland, the audience was significantly smaller than the extremely popular Scottish Regional stage. Some of our Scottish humour may have fallen slightly short at times!” Despite the popularity of the song, it was not Ragg’s favourite from the groups’ setlist this year. “My favourite song would be ‘Feeling Bad’, the last song in our 2013 set. I had come up with an idea and came with it unfinished to the group. We then worked on it together as a group to make a funny and fairly silly song that has really grown on me. It is special as it is the first song I’ve co-written and I’m glad it came off so well.”
Despite this, Ragg understands why ‘Ode’ has become so highly regarded, and trumps the variety of the song, both in the arrangement, and also in the distribution of solos, as one of the main factors for its success. “We gave everyone in the group a solo to give everyone a chance; too often in a cappella, MDs, myself included, give the solos to a few good tenors or female voices because it is easier to write for these voices; in one way this was an exercise to help stop myself doing this, and I think audiences enjoy it because you get to see everyone in the group equally, and I think in our video you can see that we’re not taking ourselves too seriously and having a lot of fun.”
You can hear ‘Ode To Glasgow’, as well as the rest of the group’s Voice Festival UK 2013 right here. I’ve also been told that this track will feature on the group’s brand new EP – release date TBC!
So, only the top 5 remains. Who will be named the Best of British 2013? Stay tuned…