Voice Festival UK 2013 Preview – Part 1: Oxford

A couple of weeks before Christmas, we here at the blog were once again provided with a wonderful Christmas present: the announcement of the round allocations for this year’s Voice Festival UK university competition. For the second year running, the competition is bigger than ever, with more groups from more universities competing than ever before in five Regional Rounds: Oxford, St Andrews, London, Birmingham and Exeter.

In this series of blogs, we will be previewing each Regional Round, commenting on each group and their chances of reaching the final, as well as introducing several groups you might not yet have heard of.

In the first blog, we kick off at one of the longest running Regional Rounds, that in Oxford, and the line-up looks slightly different this year. The round will take place on Sunday 3rd March 2013.

Potted History

This is the fifth time the Oxford Regional Round has taken place, having started at the inaugural Voice Festival competition back in 2009. In the first two years, Out of the Blue qualified for the final twice, alongisde The Oxford Belles and The Oxford Gargoyles in 2009 and 2010 respectively. Since the introduction of two extra Regionals, Out of the Blue have gone on to qualify alone in 2011 and 2012, meaning they have made the final in every year possible.

Notable Absence

Out of the Blue: The first of two huge absences from this year competition, the boys from Oxford have this year decided to withdraw from the competition in order to focus on other projects. Their departure is a huge loss to the competition and will mean the group relinquish their record of being in every single VF-UK Final. Having proceeded to the ICCA Finals in New York as winners in 2009 and coming second, alongisde huge national exposure on Britain’s Got Talent and having the largest fanbase in the UK, they leave a legacy behind them, while blowing the Regional in Oxford wide open.

The Oxford Gargoyles: The second significant absence from the competition this year is the well-established jazz group. While the group have only ever reached the final once, the year they won the competition in 2010, they are seen as one of the most professional groups in the country, having reached the final of BBC’s Choir of the Year 2012 and appearing on national television as a result. Judging by what I saw of the group at the Edinburgh Fringe Festival in August, their departure is another big loss to the competition, and we hope to see the group back in coming years.

Switching Sides

The King’s Chicks: New name, new location. Formerly the King’s Chix, the group have decided to indicate their maturity by stylising their name slightly differently, and have been re-jigged into the Oxford Regional due to the large number of groups popping up in London this year. With this their third year in the competition, having competed in London in the previous two years, now would seem to be the best time to be relocated to this particular round, given the notable absences above. Having seen them at the Edinburgh Fringe briefly in the summer, there was room for improvement, but a New Year and a fresh batch of members could allow the group to thrive in their new surroundings.

Old-Timers

The Oxford Alternotives: Having competed in Cambridge twice and in Oxford twice, it seems with the lack of Cambridge participants at all this year, the Alternotives are back home for good. Having won an award every year they have competed (last year for ‘Outstanding Choreography’), and having reached the final in 2009, their longevity and experience could hold them in good stead this year.

The Oxford Belles: One of three all-female groups in this year’s Oxford Regional, the Belles are one of only three all-female groups to ever reach the final of the competition, and as such will feel confident going into this year’s Regional. The group blew us away last year with an ‘Outstanding Soloist’ during their cover of Jar of Hearts, which was later awarded 5th place in our countdown of the top tracks of 2012. If they can utilise their members to such good effect again this year, they may well be the favourites to qualify – after all, I had them down as a close second last year.

In The Pink: Credit to In The Pink, since last year’s competition they have strived to build on simply gaining experience from the Voice Festival. Having had another successful Fringe run and toured Berlin, they have been picking up experience here, there and everywhere, and have released a solid studio album. Whether this will translate to a live competition remains to be seen, but the girls should not be underestimated.

The Ultrasounds: After a very solid debut last year, claiming award for ‘Outstanding Vocal Percussion’ and ‘Outstanding Performance’. Having since released a debut studio album, the all-male, all-medic group are now the sole male-only group in this Regional, and if they can build on their impressive debut, they could surprise a few.

Summary

With two previous winners no longer competing, this has blown not just this Regional but the entire competition wide open. As the only two previous finalists left in this round, you have to suggest that the favourites are either The Oxford Alternotives or The Oxford Belles, despite neither group having made the final since 2009. Based on recent performances, I would say the Belles are the closest to making it this year. However, experience does not necessarily mean victory, and the strong debut from The Ultrasounds last year is something that, if properly built upon, could stand them in good stead this year. In The Pink have also had a good year since the last competition, and their experience in Germany and in Edinburgh will have undoubtedly strengthened their core sound. That leaves The King’s Chicks, who I am sure will be well received by the new Oxford crowd, and in their third year of competition, they will also be expecting some sort of progress. This one is really tough to call.

Have Your Say

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3 thoughts on “Voice Festival UK 2013 Preview – Part 1: Oxford

  1. It makes sense that OOTB and the Gargoyles won’t be competing. I mean, what is there left to prove? The best case scenario is that they win the competition, which they have have both done already. The worst case scenario is that their new line-up is exposed as substandard and they take a hit to their reputation by scoring poorly.

  2. In American collegiate a cappella, there are so many groups that entry to ICCAs is restricted. Some groups set themselves up as competing groups whilst others prioritise on touring, recording, or are so well known that they have little to gain from competing. With the increase in university groups in the UK, there is bound to be a point at which groups no longer feel they are obliged to enter VFUK to ‘support’ the competition and community. I think that point has now been reached… 5 or 6 is pretty much the maximum number of groups you’d want to hear in one night at a competition, so around 25-36 groups entering the university comp is ideal for the VFUK’s current two stage format.

  3. It’s pretty obvious that VFUK doesn’t mean as much as it perhaps once did. Groups have lost faith in the competition and are either deserting (OoTB, Gargoyles) it or prioritizing other large projects just a week before (TOG).

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